Lesson 38, Part 2

Minor Pentascales

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  1. Hand-drawn avatar
    Aubrey

    I have a question, my keyboard is short and I am kind of worried about when we get on to songs that go father down the keyboard. I mean in unit 1 it was hard enough with C Boogie and all but it might be harder to transpose the songs as we get along in the lessons. What do you suggest?

    • Hand-drawn avatar
      Hoffman Academy

      That’s a good question. If you have a keyboard with at least 61 keys you should be able to play any of the songs without too much trouble. With fewer than 61, you may need to make a few modifications to some of the later songs. If you can’t get a larger keyboard, it’s all right to play some of the songs slightly different from the way they’re written. I hope that helps!

  2. Hand-drawn avatar
    Erin

    What are we supposed to do with the points?

    • Hand-drawn avatar
      Hoffman Academy

      Right now, the points are just for your own motivation and sense of accomplishment. However, we have some future features planned that will use the points, such as unlocking new profile customization. If you have ideas for fun ways we could use the points, we’d love to hear them!

  3. Hand-drawn avatar
    Jesse

    This has been a really fun lesson. I have a Yamaha DGX-660 which is a fabulous instrument. One of the features that is really nice with this lesson is “split” keyboard. I can play everything from the key of C and below in one voice (Church Organ for instance) and everything above in a different voice (Violin in this case) the results are a LOT of fun!
    Here I am 42, and just now learning piano. It kinda feels funny at times, playing songs like “Frog in the middle”. But that being said, I can also see how each lessons is useful and how it helps develop fundamental skills. The lesson pace has been great, I’ve been able to breeze through most of them, completing several in a single session. Deciding to learn piano has been one of my better decisions in my life, and cannot thank you enough for these well designed lessons!

    • Hand-drawn avatar
      Hoffman Academy

      Thank you! We’re happy to have you learning with us and I’m so glad you’re enjoying the lessons and finding them helpful. Good luck and happy playing!

  4. Hand-drawn avatar
    Arvacon

    I have a question.
    I find it a little difficult to count loud and play the melody with the right hand, when the counting is related with the left hand mostly, as the left gives the rhythm. When I don’t count, I follow a steady rhythm with my left hand by ear and I can focus at my right hand too, but when I count, I lose the rhythm, so sometimes I catch myself to synchronize the right hand with the counting too, so I play 1 note per beat instead of more and then I lose the control.. Is this normal this for beginners or is it just me?
    I found that if I use metronome instead of counting loud, I don’t have any problem to follow the rhythm and I play with the right hand correctly without problems. Can I use metronome instead of counting loud or should I try used to count like that?

    • Hand-drawn avatar
      Hoffman Academy

      That’s a good question. The main purpose of the counting is to help you make sure you’re playing four beats per measure. If you’re not having trouble with that, and if using a metronome works better for you, then it’s all right to do that instead of counting out loud. I hope that helps! Good luck and happy playing!

      • Hand-drawn avatar
        Arvacon

        That make sense now. Thanks great teacher! 🙂

  5. Hand-drawn avatar
    Nathan

    The best lesson yet!! I’m 23 so I have been progressing quickly and this has been great and it’s nice to hear, understand and even write and improvise this music, You’ve also broken a creativity wall that so many people come up against when trying to create something I never suspected I could sound that good just making stuff up with certain chords and minor pentiscales. You have done a truly wonderful job and I can’t wait to show my nearly 3-year-old brother when he’s at a more appropriate age.

    • Hand-drawn avatar
      Hoffman Academy

      Thank you so much! I’m so glad you’re progressing and that you’re enjoying the creative and improvisational side of the lessons! Keep up the great work, and happy playing!

  6. Hand-drawn avatar
    olivia

    mr.hoffman thank you so much for the lessons you are a great teacher when i play this i fell great my mom says i am good at piano and its all because of you thanks

    • Hand-drawn avatar
      Hoffman Academy

      Thank you! I’m so glad you’re enjoying the lessons and it sounds like you’re working hard and making lots of awesome progress!

  7. Hand-drawn avatar
    Michelle

    I love your lessons Mr. Hoffman I have memorized Hot Cross Buns I cannot stop playing Hot Cross Buns Thank you

  8. Reward avatar
    Harpreet

    Thank You Mr. hoffman. I am really enjoying lessons but i was failed in finding Minor and Major scales in previous lesson.

    • Hand-drawn avatar
      Hoffman Academy

      I am glad to hear you are enjoying the lessons! And don’t worry if you cannot identify the difference between Minor and Major scales right away. With some more experience and ear training it will become easier to identify. Just keep working at it!

  9. Hand-drawn avatar
    christa

    You are really good at the piano I am trying to read music at the moment.
    Please reply

    • Hand-drawn avatar
      Hoffman Academy

      Thank you! I am excited that you are learning to read music. Do you have a specific question that I can help with?

      • Hand-drawn avatar
        christa

        Yes it is just really hard to read the words on the line

Hello and welcome back. I'm Joseph Hoffman.
Today, we're doing an improvisation together using the D minor pentascale,
so let's come to the piano and get started.

For today's improvisation, we're going to be taking turns.
Each of us will get eight beats to improvise a melody in the D minor pentascale.
I'll get the first eight beats, and then you take eight beats,
and we'll count the eight beats into groups of four, like this:
One, two, three, four, one, two, three, four, and then the next person gets a turn:
One, two, three, four, one, two, three, four. Try counting with me:
One, two, three, four, one, two, three, four. Good, now let's try it.
I'm playing the chords in the left hand. You don't have to worry about that yet.
For now let's just work on the right hand playing a melody, taking turns.
I'll get the first eight beats, and then, it's your turn to improvise,
playing any note you want. Here we go.
Your turn.
My turn.
We each get one more turn.
Bring it to an end.
Nice. Now, if you'd like to try that again, just rewind it.
You can do it as many times as you like.
If you're ready to go on, then just keep watching.

Now, I'd like to show you how to play the left hand chords.
We're going to use a two-note chord on D and A, using this low D minor position.
Two-note chord, and then you're going to shift your hand down one step
to C and G, and play a C G chord. Each one will last for beats, like this:
One two three four, shift,
one two three and then shift back.
One, two, three, four,
one, two, three, four.
Now let's try together. With your left hand, cover up this low D position,
and we're going to play a two-note chord, and please count out loud with me.
One, two, three, four. Each chord last four beats. Ready, go:
One, two, three, four,
one, two, three, four.
One, two, three, four,
one, two, three, four.

Good, now let's try improvising with you playing the chords,
and I'll do the melody by myself, so you can just concentrate on the chords.
But, I have one extra thing to challenge you with. We're going to start quietly,
and it's going to build up, which is, the chords should get a little bit louder
toward the middle, and then we're going to get quieter again
as we come to the end, and by the end we'll be super quiet again.
Here we go, okay, let's give this a try. Remember to start quiet,
and then we'll let it grow. In music that's called a crescendo,
getting gradually louder. So here we go starting soft. One, two, ready, go.
Now start getting soft.
Last chord on D.
Nice job.

Now, my final challenge to you today is to try to improvise your own melody
and chords at the same time. Your right hand doesn't have to move
back and forth from D to C, but if you want to you can. It's up to you.
You can keep your right hand in the D minor pentascale the whole time,
and only move your left hand, or, every time your left hand moves down,
your right hand can move too. I'll leave that up to you.
The important thing is that you make it music that you love. Try to create a mood.
I like to start soft with this improvisation to create a mysterious sound,
and then, as it goes, it builds up, and then once again it becomes quiet
to bring back the feeling of mystery.

I really enjoyed improvising with you today.
So today, I have a special assignment for you, since improvising can be so fun.
I'd like you to find someone that you can teach to improvise. It could be a friend,
or could be a brother or sister, mom or dad. Show them the D minor pentascale,
and then you play the chords while they improvise a melody,
or you can teach them the chords, and you can improvise the melody.
As always, thanks for watching, and I'll see you next time.

Hey Princess, I have a joke for you.

Okay.

Why couldn't the piano teacher open the piano lid?

I don't know.

Because it was locked, and all the keys were on the inside!

I get it. Piano keys. So, if all the keys are on the inside,
how are we going to get this lid open?

Uhhh... Mr. Hoffman!